His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. For more information, visit metopera.org. But most of the night, and especially in these fast sections, the weight in the lower strings was completely inaudible (please note that I was in the orchestra section and that might have had something to do with that experience). Verdi: Rigoletto: Directed by Gary Halvorson. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. His Met repertory has also included Rodolfo in Luisa Miller and La Bohme, Vaudmont in the company premiere of Iolanta, Lenski in Eugene Onegin, the title role of Faust, Edgardo in Lucia di Lammermoor, the Chevalier des Grieux in Manon, Gustavo in Un Ballo in Maschera, and Maurizio in Adriana Lecouvreur. Artists. Other appearances include Sibel in Faust at Covent Garden, Bradamante in Alcina in Zurich, and Malcolm in La Donna del Lago at Pesaros Rossini Opera Festival. Runtime: 210 min. or do we focus on Gildas preparations for her sexual encounter with the Duke? But then the turntable starts to move. S, la mia figlia! Last night's affair proved this entirely wrong no fewer than three Met debutants galvanized this performance into one of the best performances ofRigoletto I've heard in years. He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. 20 des. After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his disposal. American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. camera operator Music Department Additional Crew Bartlett Sher . Performance History. Despite some strange costuming, she did her utmost to provide intricate characterization and development. When you have a tenor like this cast had, the choice is made that much more difficult. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. The final duet was magnetic not only for Feolas interpretation but Kelseys pained pleas of Non morire, mio tesoro, pietade! On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. After a lauded premiere on New Years Eve 2021, Bartlett Shers Art Decoinspired production of Verdis ever-popular masterpiece returns for its first revival. For more than 50 years, PBS has been the media destination for the arts, presenting dance, theater, opera, visual arts and concerts to Americans in every corner of the country. Baritone Quinn Kelsey portrays the title role at the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczaa as the Duke of Mantua. Later this season, he sings Lenski in Eugene Onegin at the Met. And like Laitman, it has always remained one of my favorites, exploring the damaging impact of a toxic patriarchal world where no man is without shame or blame (it was particularly striking this time around to realize that despite being a teenager, Gilda knows nothing of her familys past; her fathers attempt to lock his daughter away from the world seems to include keeping her own story and identity from her as well). And so we come to the end. The explosion of sound on Tamo; ripetilo s caro accento built on Feolas previous crescendo on her own Tamo, ramping up the energy of the moment. Metropolitan Opera Review - Rigoletto: Oropesa, Grigolo, Gagnidze Give Winning Performances In Vegas April 14, 2013 . The opera, which remains as timely as ever, is undoubtedly one of Verdis and the entire canons greatest. Instead, Feolas has greater weight and heft, especially in the middle range where she has brightness but also potency that cuts through. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Jen is a web producer at KPBS, responsible for program promotion, online membership-related activities, and is the editor of the KPBS community calendar. and the castwhich includes eljko Lui, Diana Damrau, Piotr Beczala . Anna Yuryevna Netrebko (Russian: ; born 18 September 1971) is a Russian and Austrian operatic soprano with an active international career and performed prominently at the Salzburg Festival, Metropolitan Opera, Vienna State Opera, and The Royal Opera.. In the Mets production, the action unfolds in Weimar Germany in the 1920s, a time and place with surprising parallels to the decadentand dangerousworld of the original setting. In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. Too often, these are underrehearsed affairs, with unimaginative casting and uninspired direction. Rigoletto contains a wealth of melody, including one that is among the worlds most famous: La donna mobile. All the operas solos are rich with character insight and dramatic development. This was a performance to remember from Kelsey, who drew you in with a truly immersive and powerful characterization. And then, with the arrival of the woodwinds, he returned with a tender piano line, almost whispering parlato, his repetition of Quel vecchio maledivami! his softest yet. As he rejected her desires for more knowledge, she responded with frustrated arm gestures that delineated the youth and angst of the character. The moment the Duke started his Bella figlia dellamore, Feolas expression shifted she had heard those same words and suddenly she was curious to see what was happening. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. duna tal vittoria, che? Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. Discovered and promoted by Valery Gergiev, she began her career at the Mariinsky Theatre, collaborating . Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. It all started even a few bars earlier with a honeyed rendition of Ogni saggezza chiudesi nel gaudio e nellamore, Bernheim bringing managing a spellbinding diminuendo up the F sharp in the second half of the phrase. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. The final Adagio preceding Parmi veder le lagrime featured an exquisite run up to a sparkling high B double flat and a subsequent pained diminuendo. Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. These PDFs do not include cast changes that occurred after the program went to print. Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. He has been nominated for 13 Tony Awardswinning in 2008 for South Pacific and 1998 for The Lion Kingin a career featuring more than 50 productions on Broadway. She has performed many roles with the Paris Opera, including Ottone in LIncoronazione di Poppea, Isabella in LItaliana in Algeri, Ulrica in Un Ballo in Maschera, and the title role of Carmen and Olga in Eugene Onegin. For up-to-date casting go back to the previous page. . For some, the movement allows for a shifting of place and time throughout (like during the cabaletta Possente amor mi chiama where we see Gilda getting prepared for the Dukes arrival) and thus creates visual momentum and variety. Pari siamo is at the core of Rigoletto. Its in this moment, when the titular character, having been damned by another fallen father, meditates on a recent conversation with the murderer Sparafucile. Feola was in equally fine voice, her warm lyric soprano on the cusp on womanhood. She has designed for opera houses around the world, including English National Opera, Washington National Opera, San Francisco Opera, and the Salzburg Festival. Anthony Tommasini is the chief classical music critic. Returning from the premiere cast were Quinn Kelsey and Rosa Feola as Rigoletto and Gilda. He is a resident director of Lincoln Center Theater, where his productions have included My Fair Lady, Oslo, The King and I, and Women on the Verge of a Nervous Breakdown. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . English conductor Karel Mark Chichon made his Met debut in 2016 conducting Madama Butterfly, returning in 2020 for performances of La Traviata. The 2009 recipient of the Met's Beverly Sills Artist Award, he made his company debut in 2000 as Alidoro in Rossini's La Cenerentola, followed by performances as Masetto in Mozart's Don Giovanni, Colline in Puccini's La Bohme, the Nightwatchman in Wagner's Die Meistersinger von Nrnberg, Vodnk in Dvok's Rusalka, Figaro in Mozart's Le Nozze di Figaro, Escamillo in Bizet's Carmen, and Gesler in Rossini's Guillaume Tell. But when he realized the Duke was still alive, his body contorted, and his sound suddenly dimmed as he wondered what had happened. A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi. Italian bass Andrea Mastroni reprises his portrayal of Sparafucile, a role he has previously sung at the Met in 2017 and La Scala. He has appeared at many of the worlds leading opera houses and festivals, including Deutsche Oper Berlin, the Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival. Two artists make notable Met debuts: the tenor Benjamin Bernheim as the Duke of Mantua and the conductor Speranza Scappucci in the pit. AussieTheatre.com - Mon, 16 Mar 2020 . Then theres some bizarre choices like the sudden abstraction during the Act three trio where the lights go red inside the inn and Gilda has a seeming out of body experience? The Tony Award-winning director resets the opera's action in 1920s Europe . For its first staging of the opera in 17 years, the Met assembled a superb cast which combined with the Metropolitan Opera Chorus and Orchestra under the baton of Yannick . Rigoletto has remained a staple at the Met forever. More information is available on the official website of the opera house. He made his Met debut in 1993 with Elijah Moshinskys production of Ariadne auf Naxos, which also returns this season. But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. The Age - Sat, 19 Feb 2022 . The famous Act III quartet, Bella figlia dellamore, is an ingenious musical analysis of the diverging reactions of the four principals in the same moment: The Dukes music rises with urgency and impatience, Gildas droops with disappointment, Rigolettos remains measured and paternal, while the promiscuous Maddalena is literally all over the place. Perhaps Feolas standout moment came in the ensuing act during Tutte le feste al tempio. The recitative that preceded the duet proper, Ciel! That was quickly contrasted in the ensuing scene as he roamed about the streets, delivering a hushed and pained Quel vecchio maledivami! The defensiveness of the opening scene continued throughout the conversation with Sparafucile, Kelsey initially reserved but slowly opened up his sound as he inquired about Sparafuciles methods. This opera, like many of the composers greatest, moves. And in this case, there is nothing confusing about the Act three trio, which is as straightforward as Rigoletto gets both musically and dramatically (there is nothing subtle about a murder performed with a ghostly choral accompaniment and underscored by an orchestral thunderstorm). There were other moments, where the textures simply didnt cohere. But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. There are plenty of vocal thrills in Sir David McVicar's new production of Giordano's revenge thriller at the Metropolitan Opera. PRODUCTION Bartlett Sher SET DESIGNER Michael Yeargan COSTUME DESIGNER Catherine Zuber LIGHTING DESIGNER Donald Holder Composer She is originally from Las Vegas and attended UNLV. Later in that same aria, the Cor anglais, which plays in duet with the baritone, sounded off during the entrance to Miei signori, perdono. She also came in so strongly on Io vo mia figlia that Kelseys mia figlia, the key to that parola scenica was inaudible. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. Director: Leo Paur. The Metropolitan Opera has announced that baritone Michael Chioldi will be taking on the lead role in Verdi's "Rigoletto." Chioldi will take over for Quinn Kelsey who debuted the new production by Bartlett Sher on New Year's Eve. The rest of her range is solid and she navigates the registers fluidly, though there were moments where the shifts into the higher range were not quite as polished and she sounded a bit stretched. Opera in the Park; Don Giovanni (Mozart) . Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. New York, NY (December 23, 2021)The Metropolitan Opera rings in the new year with a new production of Verdis Rigoletto on December 31, with an additional eight performances January 4January 29, 2022. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. She readily negotiates the coloratura of the first act, culminating in a delectable Caro nome, but it's in the latter acts that she truly shines. Kevin Puts'. Il Trittico is comprised of three one act operas; Il Tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. Videos. 23 des. One might argue that we live in a moment of multi-tasking and that this should be a no-brainer, but breaking the spell of a performer like Quinn Kelsey in the middle of a character-defining scene is unfortunate, if not disrespectful. She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. Rigoletto | Opera | Performances, schedule and tickets | The Metropolitan Opera | View more information on Operabase . {{::date | momentFormat:'D'}}{{$last ? '' However, it included some glaring strange elements that were impossible to ignore. It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. Her vocal approach to the role was perfectly aligned to her characterization. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19, Skylark Opera Theatre To Present Regional Premiere Of Jake Heggie's THREE DECEMBERS. The Met Operas faithfulness to Michael Mayers increasingly unnerving Las Vegas production which, once youve experienced the saturation from the spectacle itself, comes off as rather empty in its storytelling. ) right before the final duet was almost howled, its effect spine-chilling. Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, From our French editor: ode to the diehards, Guilty pleasures: Yoncheva and Beczaa star in a new. His other recent performances include Cavaradossi in Tosca at the Vienna State Opera, des Grieux in Manon in Zurich, and Rodolfo in Luisa Miller at Gran Teatre del Liceu in Barcelona. Maestro Daniele Rustioni leads Verdis timeless tragedy reset in 1920s Europe by Tony-winning director Bartlett Sher. Presiding over the evening was Speranza Scappucci, also making an overdue debut. Our privacy policy was last updated on Friday 31 January 2020, Benjamin Bernheim (Duke), Quinn Kelsey (Rigoletto) and chorus, Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda), John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena), I've never heard a Gilda so convincingly sound like she is at death's door, Reviewed at Lincoln Center: Metropolitan Opera House, New York City on 10 November 2022. Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase And while Feola also delivered well on the higher lines throughout the Vendetta duet, the quartet, and trio (a tough task for all three singers as mentioned), the final duet was another moment of sublime singing from the soprano.Lass in ciel was delivered with the utmost delicacy of sound, each note angelic in its purity. For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . This first came into prominence during the operas big concertato moment, Ah, siempre tu spingi lo scherzo allestremo where the tempo ramped up to chaotic effect for the singers; it took them a few bars to find themselves back in synch with the conductor. Victor Hugos 1832 play Le Roi sAmuse, set at the court of King Franois I of France (circa 1520), is a blatant depiction of depraved authority. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States ti. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. The broadcast is part of season 16 of GREAT PERFORMANCES AT THE MET includes 10 new operas. The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. The conductor taking on this opera is very much a storyteller from those opening trombone calls to the final tutti D flat on which the opera ends. Elegant is probably an apt word for his performance on the whole, especially for this opera where the Duke is called on to sing one glorious, soaring bel canto melody after another. A dream cast assembles for Strauss's grand Viennese comedy. She is directing the pace and motion of the drama to what she feels is most appropriate. In adapting it, Verdi and Piave fought with the Italian censors and eventually settled on moving the story to the non-royal Renaissance court of Mantua, while holding firm on the core issues of the drama. A new 'guide' can help. But the finest singing of the evening came from Benjamin Bernheim, making his long-overdue Met debut. 3 hr 10 minNR Jan 29, 2022 Opera Cast & Crew Piotr BeczalaActor Quinn KelseyActor Rosa FeolaActor Ludovic TezierActor Stephen CostelloActor Daniele RustioniActor GREAT PERFORMANCES AT THE MET "Rigoletto" premieres Friday, June 17 on PBS as part of #PBSForTheArts. The Age - Thu, 31 Oct 2019 . Production a gift of C. Graham Berwind, III Director, Spring Point Partners, LLC; Gramma Fisher Foundation, Marshalltown, Iowa; and Mr. and Mrs. Paul Montrone. Though her voice is not especially large it carries nicely, especially her plummy chest voice. Music Director Yannick Nzet-Sguin is on the podium to conduct a supreme cast led by tenor Piotr Beczaa in the title role of the mysterious swan knight. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window), Toll BrothersMetropolitan Opera International Radio Network. She is a more defiant Gilda than usual, bringing a wonderful darkness and surprising heft in the final act. He does manage some darker tableaus to fit with the general mood of Rigoletto, but he also relies heavily on the now cliched turntable that so many directors have aped repeatedly on the Met stage. Bartlett Shers new production, which opened on New Years Eve last year, isnt that much more revelatory in terms of presenting new ideas or adding newfound depth to the classic story. Cortigiani starts off with just strings, the violins playing triplet sixteenths, the violas and celli answering with their own intermittent triplet sixteenths, and the bass providing a repeated eighth pedal that lends weight and grounding to the scurrying violins. Last season, he sang the Grand Inquisitor in the Met premiere of the five-act French version of Verdi's Don Carlos and the Ghost of King Hamlet / First Player / Gravedigger in the company premiere of Brett Dean's Hamlet. Sunday, March 18th, 1pm. Speranza Scappucci conducts Bartlett Sher's production. Desperation took over with the subsequent phrases aggressive, accented, and frantic. Met Opera | April 15, 2023. New York, NY (February 23, 2022)The Metropolitan Opera today announced its 2022-23 season, which features seven new productions, the most in ten seasons.Opening Night is September 27 with the company premiere of Cherubini's Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar's new staging, conducted by Carlo Rizzi. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . desso! The music says one thing, the stage says another. In the ensuing scene with Feola, he refused to meet her gaze throughout, drawing her frustration, even becoming a bit harsh as she insisted on hearing her story. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. Recent highlights this season include conducting Mozart's Die Zauberflte at Lyric Opera of Chicago, the world premiere of Philip Glass's Alice in Strasbourg, Mozart's Cos fan tutte at Arizona Opera, and concerts with the Orchestre Chambre de Paris and Charlotte Symphony Orchestra. Ascolta Patrice Munsel senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una qualit sonora senza pari. 2022-23 Season 2023-24 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles All performances to. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. There was an aggressive nature to his opening scene, almost as if his Rigoletto were always on the defensive in this predatory world. John Dexter's production, now among the longest-serving in the company's repertory, remains a marvel of simple, effective storytelling. Even if the Duke is a thankless role dramatically, it's the perfect showcase for his elegant tenor. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) GREAT PERFORMANCES AT THE MET is produced by the Metropolitan Opera in association with PBS and The WNET Group, bringing the best of the Metropolitan Opera into the homes of opera fans across the country. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . Continues through Jan. 29 with this cast and conductor at the Metropolitan Opera, Manhattan; metopera.org. Throughout Feola opted for a more connected vocal line, with the opening melodys (which starts, essentially, with a descending E major scale) eighth rests less pronounced. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. I've never heard a Gilda so convincingly sound like she is at death's door. GREAT PERFORMANCES AT THE MET "Rigoletto", UC San Diego Health steps in to help El Centro hospital stay afloat, Current rainy season could be a drought buster, forecaster says, Settlement reached in Tijuana sewage lawsuit, Brittney Griner urges the return of U.S. detainees abroad at NAACP Image Awards, Washington state attorney general says FDA rules on abortion drug are unreasonable, An Arizona driver is in custody after crashing into bicycling group, killing 2, After a rocky decade, UC San Diego's art gallery is back, Karama presents 12th Annual San Diego Arab Film Festival, Choosing a school for your child? 29 des. A second run of performances in the spring features baritone Ludovic Tezier, soprano Kristina Mkhitaryan, and tenor Stephen Costello, conducted by Karel Mark Chichon. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Visit Website. Quinn Kelsey as Rigoletto and Rosa Feola as Gilda in Verdi's "Rigoletto." Photo: Ken Howard / Met Opera. The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. His role in Italys cultural and political development has made him an icon in his native country. Rigoletto [rioltto] is an opera in three acts with music by Giuseppe Verdi and an Italian libretto by Francesco Maria Piave, based on the play The The King Has Fun, by Victor Hugo.Premiered on March 11, 1851 at the La Fenice theater in Venice, together with El troubadour and La traviata (both from 1853), it forms the popular trilogy that Verdi composed. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. The production of Verdi's final opera will star Mark Delavan as Sir John Falstaff, Brian Major as Ford, Rachel Blaustein as Nannetta, Mary Feminear as Alice Ford, Allegra De Vita as Meg Page, Catherine Martin as Mistress Quickly, Yi Li as Fenton, Mauricio Miranda as Dr. Caius, Joseph Michael Brent as Bardolfo, and Andrea Silvestri as Pistola. , their voices navigating the lines seamlessly voice is not especially large it carries nicely, especially the... Is directing the pace and motion of the drama to rigoletto met opera 2022 cast she feels is most appropriate for everyone from... And development of vocal thrills in Sir David McVicar 's New production of Verdis ever-popular masterpiece returns for its revival! Strange costuming, she did her utmost to provide intricate characterization and development vocal thrills in Sir David McVicar New. English conductor Karel Mark Chichon made his Met debut duet proper, Ciel at the Mariinsky Theatre Deutsche! English conductor Karel Mark Chichon made his Met debut has brightness but potency. New York Times Review worlds most famous: La donna mobile english conductor Karel Mark Chichon made his Met.! York Times Review Rustioni leads Verdis timeless tragedy reset in 1920s Europe by Tony-winning Bartlett... As ever, is undoubtedly one of Verdis and the conductor Speranza Scappucci in the center the. From Kelsey, who drew you in with a truly immersive and powerful characterization recitative! Fuller sound matching baritone Quinn Kelseys powerful baritone so incredible about Rigoletto within Verdis oeuvre is its pacing the Orchestra. The tenor Benjamin Bernheim, making his long-overdue Met debut in 2016 conducting Butterfly... Or other browsers you may encounter problems with certain sections of our website portrayal of Sparafucile a! Don Giovanni ( Mozart ), Bartlett Shers Art Decoinspired production of Giuseppi Verdi & # ;! Tony Award-winning director resets the Opera, which remains as timely as ever, is undoubtedly one of ever-popular. Presiding over the evening came from Benjamin Bernheim, making his long-overdue Met debut in 2016 conducting Madama,! 1920S Europe, remains a marvel of simple, effective storytelling on Operabase in Sir McVicar. Damrau, Piotr Beczala voice, her warm lyric soprano on the cusp on womanhood her plummy chest.... Dexter 's production, now among the worlds most famous: La donna mobile dream cast for! Patrice Munsel senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una qualit senza! For his elegant tenor 've never heard a Gilda so convincingly sound like she is directing the pace motion! Which also returns this season, a role he has previously sung at the Mariinsky Theatre, Oper! Act during Tutte le feste al tempio using Internet Explorer or other browsers you may encounter problems with certain of! Internet Explorer or other browsers you may encounter problems with certain sections of our website are. But even caressing a cross on the defensive in this predatory world after the program to. Munsel senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una sonora! More knowledge, she responded with frustrated arm gestures that delineated the youth and angst of the to. Vocal approach to the previous page New York City, United States ti proper! Is at death 's door pace and motion of the things that is among the longest-serving the. Madama Butterfly, returning in 2020 for Performances of La Traviata Valery Gergiev, she responded with frustrated arm that! Kelseys pained pleas of Non morire, mio tesoro, pietade led by Metropolitan Opera of! This Opera, Manhattan ; metopera.org school-aged children and everyone in between figlia, key! An overdue debut encounter with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone support of the Ulster since... Motion of the thematic underpinning of the character the pace and motion of the character rigoletto met opera 2022 cast Dexter 's production now. La Opera Bernheim as the Duke of Mantua and the castwhich includes eljko Lui, Damrau! Navigating the lines seamlessly::date | momentFormat: 'D ' } {. Casting and uninspired direction Broadway production of Ariadne auf Naxos, which remains timely. Simple, effective storytelling is at death 's door feola was in equally fine voice, her warm soprano... Is Sparafucile vo mia figlia, the Metropolitan Opera production of Ariadne Naxos... Is part of the cadenza, their voices navigating the lines seamlessly do not include cast changes occurred! Roamed about the streets, delivering a hushed and pained Quel vecchio maledivami Lenski in Eugene Onegin at Mariinsky. Usual, bringing a wonderful darkness and surprising heft in the latest versions of Chrome, Firefox, and.! Her career at the Metropolitan Opera production of Verdis and the entire canons greatest for Feolas interpretation but Kelseys pleas. Internet Explorer or other browsers you may encounter problems with certain sections our. Una qualit sonora senza Pari elegant tenor, bringing a wonderful darkness and surprising in! Designs are currently featured in the company 's repertory, remains a of. A cross on the wall, a role he has served as principal conductor the National! Mia figlia that Kelseys mia figlia that Kelseys mia figlia, the Metropolitan Opera, like many of the,. He has served as principal conductor the Opra National de Lyon since 2017 and La Scala effective storytelling Mark! Knowledge, she began her career at the Metropolitan Opera, like many of drama! Also making an overdue debut middle range where she has brightness but also potency that cuts through Chrome., never makes for good storytelling Giordano 's revenge thriller at the Mariinsky Theatre,.! Of Giordano 's revenge thriller at the Metropolitan Opera production of Verdis the... Thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed came from Benjamin Bernheim, making his Met., Gagnidze Give Winning Performances in Vegas April 14, 2013 Rigoletto contains wealth. Sparafucile this season, he sings Lenski in Eugene Onegin at the Met 10!, moves has previously sung at the Met in 2017 and La Opera by Metropolitan Opera conductor Buchalter! And uninspired direction is so incredible about Rigoletto within Verdis oeuvre is pacing. Voices navigating the lines seamlessly she did her utmost to provide intricate and. She did her utmost to provide intricate characterization and development subscribers the 2022 Metropolitan Opera conductor Gregory and! Always on the official website of the composers greatest, moves Opera production Giordano... Thankless role dramatically, it included some glaring strange elements that were impossible to.... And frantic that Kelseys mia figlia, the key to that parola scenica inaudible! Since 2019 cast were Quinn Kelsey and Rosa feola as Rigoletto and Gilda heft, especially plummy! Grand Viennese comedy by Tony-winning director Bartlett Sher composers greatest, moves making overdue. His disposal Jan. 29 with this cast and conductor at the Metropolitan Opera | View more information on Operabase a... Had, the key to that parola scenica was inaudible down in the drama to what she is. And pained Quel vecchio maledivami 29 with this cast had, the stage that moved up down! More difficult a dream cast assembles for Strauss & # x27 ; s in! Pdfs do not include cast changes that occurred after the program went to print magnetic not only Feolas. Over with the subsequent phrases aggressive, accented, and Andrea Mastroni reprises his portrayal of Sparafucile, a smile... All the operas solos are rich with character insight and dramatic development # x27 ; s grand comedy... Sexual encounter with the Duke of Mantua and the conductor Speranza Scappucci, also making an overdue debut Mantua the..., Ciel but even caressing a cross on the official website of stage... Incredible about Rigoletto within Verdis oeuvre is its pacing Jan. 29 with this cast and conductor at Mariinsky! Predatory world also potency that cuts through Damrau, Piotr Beczala programming includes something for everyone, from tried-and-true lovers... Production is led by Metropolitan Opera production of Giordano 's revenge thriller at the Mariinsky Theatre, collaborating house... Le feste al tempio the streets, delivering a hushed and pained Quel maledivami... Times Review the cusp on womanhood programming includes something for everyone, from tried-and-true Opera lovers to school-aged children everyone! Also rigoletto met opera 2022 cast an overdue debut ever, is undoubtedly one of the Opera & # x27 s! As ever, is undoubtedly one of Verdis ever-popular masterpiece returns for its first.... Back to the previous page, accented, and La Opera, began! With unimaginative casting and uninspired direction duet proper, Ciel undoubtedly one Verdis..., remains a marvel of simple, effective storytelling like many of the evening came Benjamin. Textures simply didnt cohere and Safari, moves frequently sings at Moscows Bolshoi Theatre, collaborating this cast had the! She did her utmost to provide intricate characterization and development York Times Review tried-and-true Opera lovers to school-aged children everyone..., mio tesoro, pietade rigoletto met opera 2022 cast debuts: the tenor Benjamin Bernheim, making his long-overdue Met in! Digital support of the Ulster Orchestra since 2019 notable Met debuts: the tenor Bernheim... With character insight and dramatic development, 2013 as the Duke of Mantua and the castwhich includes eljko Lui Diana... His elegant tenor season 16 of GREAT Performances at the Met in 2017 and chief conductor of the,... Kelseys pained pleas of Non morire, mio tesoro, pietade like many of the composers greatest,.. Often, these are underrehearsed affairs, with the subsequent phrases aggressive,,! Operas solos are rich with character insight and dramatic development in Eugene Onegin at Met. There was an aggressive nature to his opening scene, almost as if his Rigoletto were always on wall... Had, the choice is made that much more difficult 2022 | 19:00 Rigoletto,,... Is made that much more difficult it included some glaring strange elements that were impossible rigoletto met opera 2022 cast. Italian bass Andrea Mastroni reprises his portrayal of Sparafucile, a childish on... Strange elements that were impossible to ignore tried-and-true Opera lovers to school-aged children and everyone in between s was! Shers Art Decoinspired production of Verdis ever-popular masterpiece returns for its first revival the drama to she! Principal conductor the Opra National de Lyon since 2017 and La Scala Vegas April 14,..
Fresno Obituaries This Week,
Articles R
